It is with a very sad and heavy heart to announce the passing of a much loved, and respected friend of the Canadian Film Archival community; Rosemary Bergeron, January 9th, 2023. I was very fortunate to have worked with Rosemary while employed
Feature image: Hot Stuff. Directed by Zlatko Grgic. Produced by Robert Verrall. Photo taken from the production. © 1971 National Film Board of Canada. All rights reserved. Image courtesy; Jimena Romero, Coordinator, media relations, Communications and public affairs, National Film Board of
November, 2022 phone interview with James Crowe, Associate Member, CSC, who purchased legendary Canadian newsreel cameraman, Roy Tash’s Eyemo in 1974. As the vintage Bell & Howell Eyemo motion picture camera swings into position, the crew readies itself for the take; blankets,
It is with a very sad and heavy heart to announce the passing of a much loved, and respected friend of the Canadian Film Archival community; Rosemary Bergeron, January 9th, 2023. I was very fortunate to have worked with Rosemary while employed
Entry for Masterworks 2001 by James Forrester for AV Preservation Trust of Canada web site (now defunct). Reposted here with permission of the author, and the current rights holder for the AV Preservation Trust of Canada: Academy of Canadian Cinema & Television (Academy.ca). The Loon’s Necklace was not a sponsored film. It was created by a
Reprinted here with permission: ELAN (Ex Libris Association Newsletter), Number 68/Fall 2020 At Christmas of 1972, I arrived at 1762 Carling Avenue, Ottawa, to work as a “Stills Librarian” for the Canadian Film Archive department of the CFI. Peter Morris was the
September 1, 1934 – March 11, 2020 TRAPPER STEVENS Recollections of a eulogy by Anthony Hyde (used with permission) I say “recollections” because I was making things up as I went along — surely appropriate since I was talking about Traps —
George H. Valiquette, pioneer Canadian newsreel cinematographer, risked his life to get footage of the flooding Ottawa River in April 1922. At the time he was the cameraman for the Fox newsreel, covering the vicinity of Ottawa, Ontario.
One wonders what life in Trenton, Ontario might have been like today had predictions made in the early part of the 20th century come true. For Trenton was to be “Hollywood of the North.”
My father William James Pearson (WJPIII) and I shared the exact same name, and (by co-incidence), the same jobs in film, with the same company, and the same role path within it. WJPIII got his foot in the door in this fledgling
I never really worked directly in the newsreel side of film-making, so my knowledge of the Canadian newsreels has been picked up along the way.